A closer look at digital artist Beeple’s $ 69 million collage

This NFT marks an important step in the history of art. Image courtesy of Beeple

By: Vrinda Kapadia, student at SFU

Daily: the first 5,000 days is a series of drawings and images created by digital artist Mike Winklemann. Known professionally as the Beeple, he started this project on May 1, 2007 and diligently posted a new drawing everyday for 14 and a half years now. Beeple done securities in March 2021 when he sold an NFT of a digital collage of his project for a staggering price of $ 69 million.

TVN represents non-fungible tokens, which are digital assets representing tangible and intangible products. These may include toilet paper, Nike sneakers called cryptokicks, art, virtual avatars, and more. The NFT market is established on a cryptocurrency blockchain, usually the Ethereum blockchain. A blockchain is a shared database that tracks content ownership, while transactions can be done using cryptocurrency or real money. While technically anyone can save, download, and copy the file for free, the real value of an NFT lies in ownership of the original. file wwhich can be purchased and verified through a blockchain entry.

The NFT of Beeple’s artwork was auctioned at Christie’s and was ad as the “first purely digital work of art ever offered by a major auction house”.

As I sift through his collection, I am very impressed with the consistent quality of Beeple’s artwork. Some images may be dystopian or politically provocative, but overall, his work is very imaginative and captivating. I delved into his work last year to find satirical interpretations of the news.

Image courtesy of Beeple

A is called United States toilet paper of March 14, 2020. From the outset, there is an irony portrayed by a man confined to his knees who has soiled his pants when there is mounds of white rolls behind his armed persecutors. The man appeals to a figure in a white outfit towering over him from the top of a stapile of cked white paper roll. There is a feeling of ruthless apathy exhibited by the armed officials and the man in power as the kneeling individual suffers a terrible accident. It’s a disturbing picture as it uses the toilet paper shortage catastrophe amid the pandemic to implicitly comment on America’s alarming and disproportionate distribution of resources.

Image courtesy of Beeple

The second is called Easter bunny 2020 from April 12, 2020. This image takes a shocking twist with its depiction of Easter 2020. The subject of this illustration is a huge, bloody and dirty white bunny reigning over a miniature playground and attacking children. This image appears to be a satirical response to the roller coaster that the start of 2020 has been. Beeple seems to be warning everyone to prepare for their worst nightmares.

Image courtesy of Beeple

There is also the one called Karen attack from June 18, 2020. Military police and members of the SWAT team push back five gigantic white women. Monstrously tall women exude hostility with their bold posture, drooping jaws, and pointing the accusing finger. Their bright, fiery yellow eyes indicate no opportunity to reason with them. This rendering is apparently inspired by the growing popularity of the Karen stereotype, which is typically associated with a self-proclaimed middle-class white woman who displays aggressive behavior prompted by her privileged status. The exaggeration of the image serves as comic relief in an otherwise distressing and difficult situation one can find oneself in when interacting with a Karen.

Beeple’s Everyday are introspective and fun artistic renderings of everyday events. Each illustration is a memory of an ideology or an important event that comes into the realm of our collective consciousness as North Americans. Despite their puzzling dollar value of $ 69 million today, the project will certainly be more valuable for generations to come as a collection of 21st relics of the century.

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