Gilbert Cruz and Sia Michel | The New York Times
At a time when the number of digital subscriptions to The Times is reaching an all-time high and our ambitions in this space are limitless, Culture Sunday’s print section remains one of the premier spaces for feature film writing and criticism. artistic. Each week, working with our photo team, film, television, music, art, dance and theater designers and editors, Andrew will operate and showcase some of the best journalism pieces the department has to offer. . Fortunately, as he puts it, “I like pretty much all contemporary cultural genres, engulfing all art, television (prestige and reality), live performances, fiction, poetry, music and movies. that I can.
Andrew comes to us from Books, which he joined in 2019 and where he currently serves as News and Reporting Assistant. There, he covered the proposed purchase of Penguin Random House from Simon & Schuster, the assault allegations surrounding Philip Roth’s biographer, and the controversy over the decision by Dr. Seuss’ estate to stop selling six titles containing racial and ethnic stereotypes. He has also edited dozens of author profiles, including those of Sally Rooney, Colson Whitehead, Charles Yu, Glennon Doyle and Nobel Prize winner Wole Soyinka. (Also check out the articles he wrote this year on Anthony Veasna So and Chang-rae Lee.) In a relatively short time, Andrew has become a beloved editor on this team.
âWe couldn’t be more thrilled for Andrew and more deprived of ourselves,â says Pamela Paul, who heads this department and edits the book review. âDuring his not quite three years in the Book Office, Andrew made his mark, elevating our reporting and ensuring a wide range of voices from the newsroom and around the world on features and profiles. Editors and reporters loved working with him, both for his unfazed demeanor and for his palpable enthusiasm for breaking news. He was also my most trustworthy colleague in everything related to the arts; if I wanted to know which French exhibition, play or TV show I should enjoy (or avoid), Andrew was the first person I turned to. He’s clearly going to the right place and we can’t wait to see what he brings to A&L, although we can always turn to him for his keen sense of the book (Andrew was the first person on the desk to read the National’s this year Winner of the Book Award in fiction.) â
Prior to joining The Times, Andrew (last name pronounced “luh-valley”) was a reporter and editor at The Wall Street Journal for 13 years, based in New York and Hong Kong. His last job was as an art writer, where he managed the coverage of television, film, music, books, and the visual arts.
Born in Maine and raised in Alabama, Andrew studied English, Ethnic Studies and Clarinet Performance at Oberlin, Journalism at Columbia University and was formerly Yoko Ono’s Assistant Artist. He also plays (a little) the piano, organ and bassoon.
We would like to warmly thank Scott Heller, our A&L Associate Editor who has been leading the section as Interim Editor since the start of the summer. For nearly six months, he and the team produced acts that were both beautiful and full of gripping stories – stories that introduced readers to activist artist Hannah Drake and eccentric digital theater creator Joshua William Gelb. , took them to the mountains of Colorado. and across Europe for revealing plays on a rural theater company and the refugee puppet project known as “The Walk”, and helped them say goodbye (for now) to the sitcom cynical television, among many others.
Andrew will officially join us in early 2022.